BIBLIOGRAFÍA de Ananda K. Coomaraswamy

Compilación de Valerie Magar

Coomaraswamy, Ananda (1905) “An open letter to Kandyan chiefs”, Ceylon Observer, 17th February 1905, pp. 5-6.

Coomaraswamy, Ananda (1905) “Unfamiliar Kandyan literature”, The Kandyan, Ceylon.

Coomaraswamy, Ananda (1906) “Anglicisation of the East”, Ceylon National Review (I): 181-195.

Coomaraswamy, Ananda (1906) Handbook to the exhibition of arts and crafts in connection with the Ceylon Rubber Exhibition, Colombo.

Coomaraswamy, Ananda (1906) “Kandyan art: what it meant and how it ended”, Ceylon National Review (I): 1-12.

Coomaraswamy, Ananda (1907) The deeper meaning of the struggle, Essex House Press, Broad Campden.

Coomaraswamy, Ananda (1908) Mediaeval Sinhalese art, Essex House Press, Broad Campden. Coomaraswamy, Ananda (1908) The aim of Indian art, Essex House Press, Broad Campden.

Coomaraswamy, Ananda (1908) The influence of Greek on Indian art, Delivered at the Fifteenth International Oriental Congress, Copenhagen (1908), Essex House Press, Broad Campden.

Coomaraswamy, Ananda (1908) The message of the East, Ganesh Press, Madras.

Coomaraswamy, Ananda (1908) “The relation of art and religion in India”, in: Transactions of the Third international congress for the history of religions, II, Oxford, pp. 70-74.

Coomaraswamy, Ananda (1908) “The village community and modern progress”, Ceylon National Review (II): 249-260.

Coomaraswamy, Ananda (1909) Essays in national idealism, Colombo Apothecaries Co. Ltd., Colombo.

Coomaraswamy, Ananda (1909) The Indian craftsman, Probsthain, London.

Coomaraswamy, Ananda (1910) Art and Swadeshi, Ganesh Press, Madras.

Coomaraswamy, Ananda (1910) Indian drawings, Essex House Press, London.

Coomaraswamy, Ananda (1910) Domestic handicraft and culture: a lecture read before the Association of Teachers of Domestic Science, May 28th, 1910, Essex House Press, London.

Coomaraswamy, Ananda (1910) Selected examples of Indian art, Essex House Press, Broad Campden.

Coomaraswamy, Ananda (1910) “Indian bronzes”, Burlington Magazine (XVII): 86-94.

Coomaraswamy, Ananda (1911) Art and Swadeshi, Ganesh Press, Madras.

Coomaraswamy, Ananda (1911) “Education in Ceylon”, in: Art and Swadeshi, Madras.

Coomaraswamy, Ananda (1911) “The modern school of Indian painting”, Catalogue to the Festival of Empire and Imperial Exhibition, Indian Section, London.

Coomaraswamy, Ananda (1912) Indian drawings: 2nd series, Chiefly Rajput, Essex House Press, London.

Coomaraswamy, Ananda (1912) “Rajput cartoons: a criticism after Nietzsche”, Rajput Herald, June, pp. 21-25.

Coomaraswamy, Ananda (1912) “Rajput painting”, Ostasiatische Zeitschrift (I): 125-139.

Coomaraswamy, Ananda (1912-1914) Visvakarma: examples of Indian architecture, sculpture, painting, handicraft, Luzac, London.

Coomaraswamy, Ananda (1913) The arts and crafts of India and Ceylon, Foulis, Edinburgh.

Coomaraswamy, Ananda and Nivedita Coomaraswamy (1913) Myths of the Hindus and Buddhists, Harrap, London.

Coomaraswamy, Ananda (1913) “Sati: a vindication of the Hindu woman”, Read before the Sociological Society, London, November 2012, Sociological Review VI (2): 117-135.

Coomaraswamy, Ananda (1914) Bronzes from Ceylon: chiefly in the Colombo Museum, Memoirs of the Colombo Museum, Ser. A, Number I, Colombo Museum, Colombo.

Coomaraswamy, Ananda (1914) “Indian aid”, New Age, 15th October 1914, p. 580.

Coomaraswamy, Ananda (1914) “Notes on Jaina Art”, Journal of Indian art (XVI): 81-97.

Coomaraswamy, Ananda and A.J. Penty (eds.) (1914) “The religious foundation of life and art”, in: Essays in post-industrialism: a symposium of prophecy, Foulis, London.

Coomaraswamy, Ananda (1914) “The royal palaces of Rajputana”, Rajput Herald, pp. 230-240.

Coomaraswamy, Ananda (1914) “A world policy for India”, New Age, 24 December 1914, pp. 192-193.

Coomaraswamy, Ananda (1915) “The Hindu view of art”, The Quest VI (3): 480-498. Coomaraswamy, Ananda (1915) “Love and art”, Modern Review, May, pp. 574-584.

Coomaraswamy, Ananda (1916) Buddha and the gospel of Buddhism, Putnam, New York.

Coomaraswamy, Ananda (1916) Rajput Painting, 2 volumes, Oxford University Press, London.

Coomaraswamy, Ananda (1916) “The cave paintings of Ajanta”, Vanity Fair, September, p. 67.

Coomaraswamy, Ananda (1916) Rajput painting: being an account of the Hindu paintings of Rajasthan and the Panjab Himalayas from the sixteenth to the nineteenth century described in their relation to the contemporary thought, London and New York.

Coomaraswamy, Ananda (1917) The mirror of gesture: being the Abhinaya Darpana of Nandikesvara, translated by Ananda K. Coomaraswamy and Gopala Kristnayya Duggirala, Harvard University Press, Cambridge.

Coomaraswamy, Ananda (1917) “Oriental dances in America”, Vanity Fair (VIII): 61.

Importar imagenCoomaraswamy, Ananda (1918) The Dance of Siva: fourteen Indian essays, Sunwise Turn Press, New York.

Coomaraswamy, Ananda (1918) “Rajput painting”, MFA Bulletin XVII: 33-43.

Coomaraswamy, Ananda (1920) Twenty-eight drawings, Sunwise Turn, New York.

Coomaraswamy, Ananda (1921) “Notice sur l’entité et les noms de Çiva”, in: Sculptures çivaïtes, Ars Asiatica, Numéro 3, Paris.

Importar imagenCoomaraswamy, Ananda (1922) “Saiva sculptures. Recent acquisitions: Uma-Mahesvara groups and South Indian bronzes”, MFA Bulletin (XX): 15-24.

Coomaraswamy, Ananda (1923) Catalogue of the Indian collections in the Museum of Fine Arts, Boston. Part I: General introduction, Part II: Sculpture, Boston Museum of Fine Arts, Boston.

Coomaraswamy, Ananda (1923) Introduction to Indian art, Theosophical Publishing House, Madras.

Coomaraswamy, Ananda (1923) “Indian art in Boston”, The Arts III (2): 36-46.

Coomaraswamy, Ananda (1923) “Photographs in the print department”, MFA Bulletin (XXI): 79.

Coomaraswamy, Ananda and Stella Bloch (1923) “The appreciation of art”, Art Bulletin (VI): 61-64.

Coomaraswamy, Ananda (1924) Catalogue of the Indian collections in the Museum of Fine Arts, Boston. Part 4: Jaina paintings and manuscripts, Boston Museum of Fine Arts, Boston.

Coomaraswamy, Ananda (1925) Bibliographies of Indian art, Boston Museum of Fine Arts, Boston.

Coomaraswamy, Ananda (1927) Catalogue of the Indian collections in the Museum of Fine Arts, Boston. Part 5: Rajput painting, Boston Museum of Fine Arts, Boston.

Coomaraswamy, Ananda (1927) History of Indian and Indonesian art, Karl W. Hiesemann, Leipzig.

Coomaraswamy, Ananda (1927) “The origin of the Buddha image”, The Art Bulletin IX (4): 287-328.

Coomaraswamy, Ananda (1928) “Indian architectural terms”, Journal of the American Oriental Society (XLVIII): 250-275.

Coomaraswamy, Ananda (1928) Yaksas, I, Smithsonian Miscellaneous Collections, Washington.

Coomaraswamy, Ananda (1929) “Les miniatures orientales de la collection Goloubew au Museum of Fine Arts de Boston”, Ars Asiatica, Numéro 13, Paris.

Coomaraswamy, Ananda (1929) “The origin and use of images in India”, International Studio (XCIII): 21-26, 94.

Coomaraswamy, Ananda (1929) “The relation of art to life in India”, Forward, 27 January, 1929.

Coomaraswamy, Ananda (1930) Catalogue of the Indian collections in the Museum of Fine Arts, Boston. Part 6: Mughal painting, Boston Museum of Fine Arts, Boston.

Coomaraswamy, Ananda (1931) Yaksas, II, Smithsonian Miscellaneous Collections, Washington.

Coomaraswamy, Ananda (1932) “Introduction to the art of Eastern India”, The Open Court (XLVI): 185-215.

Coomaraswamy, Ananda (1932) “Maha-Pralaya and Last Judgment”, Cultural World III (4): 14-16.

Coomaraswamy, Ananda (1933) A new approach to the Vedas: An essay in translation and exegesis, Luzac, London.

Coomaraswamy, Ananda (1933) “On translation: Maya, Deva, Tapas”, Isis XIX (55): 74-91.

Coomaraswamy, Ananda (1933) “Versions from the Vedas”, Indian Art and Letters VII (I): 1926.

Coomaraswamy, Ananda (1934) “Kha and other words denoting ‘zero’, in connection with the metaphysics of space”, Bulletin of the School of Oriental Studies (VII): 487-497.

Coomaraswamy, Ananda (1934) “Meister Eckhart’s theory of art”, in: The transformation of nature in art, Harvard University Press, Cambridge.

Coomaraswamy, Ananda (1934) The transformation of nature in art, Harvard University Press, Cambridge.

Coomaraswamy, Ananda (1934) “The technique and theory of Indian painting”, Technical Studies III: 59-89.

Coomaraswamy, Ananda (1934) “Understanding the art of India”, Parnasus VI (4): 21-26, 30.

Coomaraswamy, Ananda (1935) “Angel and Titan: an essay in Vedic ontology”, Journal of the American Oriental Society (LV): 373-419.

Coomaraswamy, Ananda (1935) “An approach to Indian art”, Parnasus VII (7): 17-29.

Coomaraswamy, Ananda (1935) Elements of Buddhist iconography, Harvard University Press, Cambridge.

Coomaraswamy, Ananda (1935) “The ‘Conqueror’s Life’ in Jaina painting”, Journal of the Indian Society of Oriental Art (III): 127-144.

Coomaraswamy, Ananda (1935) The darker side of dawn, Smithsonian Miscellaneous Collections, Washington, D.C.

Coomaraswamy, Ananda (1935) “The ‘intellectual operation in Indian art”, Journal of the Indian Society of Oriental Art (III): 1-12.

Coomaraswamy, Ananda (1935) “Mediaeval aesthetic: I: Dionysius the Pseudo-Aeropagite and Ulrich Engelberti of Strassbourg”, Art Bulletin (XVII): 31-47.

Coomaraswamy, Ananda (1935) “Sacred and profane science”, translated from the French of René Guénon, Visva-Bharati Quarterly (I): 11-24.

Coomaraswamy, Ananda (1935) “La sculpture de Bodhgaya”, Ars Asiatica, Numéro 18, Paris.

Coomaraswamy, Ananda (1935) “Two Vedantic hymns from the Siddhantamuktavali”, Bulletin of the School of Oriental Studies (VIII): 91-99.

Coomaraswamy, Ananda (1935) “Walter Andrae’s Die ionische Säule: Bauform oder Symbol? A review”, Art Bulletin (XVII): 103-107.

Coomaraswamy, Ananda (1936) “L’idée de ‘création éternelle’ dans le Rig-Veda”, Études traditionelles (XLI): 13-17.

Coomaraswamy, Ananda (1936) “Nirukta = Hermeneia”, Visva-Bharati Quarterly (II): 11-17.

Coomaraswamy, Ananda (1936) “On the pertinence of philosophy”, in: S. Radhakrishnan (ed.), Contemporary Indian philosophy, Macmillan, London, pp. 113-134.

Coomaraswamy, Ananda (1936) “The appreciation of the unfamiliar arts”, Radio Broadcast of the Museum of Fine Arts, Boston, Second Series, January 9, 1936, Visva-Bharati Quarterly (II): 17-21.

Coomaraswamy, Ananda (1936) “The love of art”, Parnassus VIII (4): 22-23.

Coomaraswamy, Ananda (1936) “The normal view of art”. Lecture delivered at Wheaton College, in: Patron and the artist, Pre-Renaissance and Modern, Wheaton College Press, Norton, pp. 7-38.

Coomaraswamy, Ananda (1936) “Sri Ramakrishna and religious tolerance”, Prabuddha Bharata (XLI): 268-274.

Coomaraswamy, Ananda (1936) “Vedic exemplarism”, Harvard Journal of Asiatic Studies (I): 44-64; addenda and corrigenda, p. 281.

Coomaraswamy, Ananda (1936) “Vedic ‘Monotheism’”, Journal of Indian History (XV): 84-92.

Coomaraswamy, Ananda (1937) “Beauté, lumière et son”, Études traditionelles (XLII): 51-60.

Coomaraswamy, Ananda (1937) “Is art a superstition of a way of life?”, in: Why exhibit works of art?, London.

Coomaraswamy, Ananda (1937) “The part of art in Indian life”, Cultural Heritage of India (III): 485-513.

Coomaraswamy, Ananda (1937) “The pilgrim’s way”, Journal of the Bihar and Orissa Research Society (XXIII): 452-471.

Coomaraswamy, Ananda (1937) “The Rape of a Nagi: an Indian Gupta seal (parts 1 and 2)”, MFA Bulletin (XXXV): 38-41, 56-57.

Coomaraswamy, Ananda (1937) “The Vedic doctrine of ‘silence’”, Indian Culture (III): 559-569.

Coomaraswamy, Ananda (1937) “What is the use of art, anyway?”, in: The majority report on art, Number 2, John Stevens Pamphlet.

Coomaraswamy, Ananda (1938) Asiatic art, The New Orient Society of America, Chicago.

Coomaraswamy, Ananda (1938) “Mediaeval aesthetic: II. St. Thomas Aquinas on Dionysius and a note on the relation of beauty to truth”, Art Bulletin (XX): 66-77.

Coomaraswamy, Ananda (1938) “The nature of Buddhist art”, in: Benjamin Rowland, Jr., The wall-paintings of India, Central Asia and Ceylon, Merrymount Press, Boston, pp. 3-38.

Coomaraswamy, Ananda (1938) “The philosophy of Mediaeval and Oriental art”, Zalmoxis (I): 20-49.

Coomaraswamy, Ananda (1938) “Usnisa and Chatra: turban and umbrella”, Poona Orientalist

(III): 1-19.

Coomaraswamy, Ananda (1939) “De la ‘mentalité primitive’”, Études Traditionelles (XLIV): 277-300.

Coomaraswamy, Ananda (1939) “Mahatma”, Calcutta Review (LXXI): 1-4.

Coomaraswamy, Ananda (1939) “Ornament”, Art Bulletin (XXI): 375-382.

Coomaraswamy, Ananda (1939) “Some Pali words”, Harvard Journal of Asiatic Studies (IV): 116-190.

Coomaraswamy, Ananda (1939) “Svayamatrnna: Janua Coeli”, Zalmoxis (II): 3-51.

Coomaraswamy, Ananda (1939) “The Vedanta and Western tradition”, American Scholar (VIII): 223-247.

Importar imagenCoomaraswamy, Ananda (1940) “Akimcañña: self-naughting”, New Indian Antiquary (III): 1-16.

Coomaraswamy, Ananda (1940) “Manas”, in: A.C. Woolner Commemoration Volume, Mehar Chand Lachhman Das, Lahore, pp. 53-60.

Coomaraswamy, Ananda (1940) “The nature of Mediaeval art”, in: Arts of the middle ages, Boston Museum of Fine Arts, Boston.

Coomaraswamy, Ananda (1941) “Why exhibit works of art?”, Journal of Aesthetics and Art Criticism (I): 27-41.

Coomaraswamy, Ananda (1942) “Atmayajña: self-sacrifice”, Harvard Journal of Asiatic Studies (VI): 358-398.

Coomaraswamy, Ananda (1942) “On being in one’s right mind”, Review of Religion (VII): 32-40.

Coomaraswamy, Ananda (1942) Spiritual authority and temporal power in the Indian theory of government, American Oriental Society, New Haven.

Coomaraswamy, Ananda (1943) “Ars sine scientia nihil”, Catholic Art Quarterly (VI): 12-24.

Coomaraswamy, Ananda (1943) “Eastern wisdom and Western knowledge”, Isis XXXIV (3): 359-363.

Coomaraswamy, Ananda (1943) Hinduism and Buddhism, Philosophical Library, New York.

Coomaraswamy, Ananda (1943) “Prana-citi”, Journal of the Royal Asiatic Society, April: 105109.

Coomaraswamy, Ananda (1943) “Samvega: aesthetic shock”, Harvard Journal of Asiatic Studies (VII): 174-179.

Coomaraswamy, Ananda (1943) “Symptom, diagnosis and regimen”, College Art Journal II (4): 121-124.

Coomaraswamy, Ananda (1943) “The meeting of eyes”, Ars Quarterly (VI): 322-324.

Coomaraswamy, Ananda (1943) Why exhibit works of art? Luzac, London.

Coomaraswamy, Ananda (1944) “Chinese painting at Boston”, Magazine of Art (XXXVII): 9499.

Coomaraswamy, Ananda (1944) “The iconography of Dürer’s ‘Knots’ and Leonardo’s ‘Concatenation’”, Art Quarterly (VII): 109-128.

Coomaraswamy, Ananda (1944) Recollection, Indian and Platonic; and on the one and only transmigrant. Journal of the American Oriental Society, LXIV, Supplement number 3.

Coomaraswamy, Ananda (1944) “Sir Gawain and the Green Knight: Indra and Namuci”, Speculum (XIX): 104-125.

Coomaraswamy, Ananda (1946) Figures of speech or figures of thought: Collected essays on the traditional or “normal” view of art, Luzac, London.

Coomaraswamy, Ananda (1946) “Primordial images”, Papers of the Modern Language Association LXI (2): 601-602.

Coomaraswamy, Ananda (1946) “Rgveda 10.90.1: atyatisthad dasangulam”, Journal of the American Oriental Society LXVI (2): 145-161.

Coomaraswamy, Ananda (1946) The religious basis of the forms of Indian society, Orientalia, New York.

Coomaraswamy, Ananda (1947) Am I my brother’s keeper?, The John Day Company, New York.

Coomaraswamy, Ananda (1947) “Athena and Hephaistos”, Journal of the Indian Society of Oriental Art (XV): 1-6.

Coomaraswamy, Ananda (1947) “Dr. Coomaraswamy’s talk at his Boston dinner”, Journal of the Indian Society of Oriental Art (XV): 10-12.

Coomaraswamy, Ananda (1947) “Gradation and evolution. II”, Isis XXXVIII (11-112): 87-94.

Coomaraswamy, Ananda (1947) Time and eternity, Artibus Asiae, Ascona.

Coomaraswamy, Ananda and Isaline Blew Horner (1948) The living thoughts of Gotama The Buddha, Cassel, London.

Coomaraswamy, Ananda (1951) “Notes on the philosophy of Persian art”, Ars Islamica (XVXVI): 125-128.

Coomaraswamy, Ananda (1956) La sculpture de Bharbut. Annales du Musée Guimet.

Bibliothèque d’Art, Paris.

Coomaraswamy, Ananda (1970) “The Virgin suckling St. Bernard”, Studies in Comparative Religion 4 (3) (Summer, 1970).

Coomaraswamy, Ananda (1970) “Khawaja Khadir and the Fountain of Life”, Studies in Comparative Religion 4 (4) (Summer, 1970).

Coomaraswamy, Ananda (1971) “The symbolism of archery”, Studies in Comparative Religion 5 (2) (Summer, 1971).

Coomaraswamy, Ananda (1971) “Why exhibit works of art?”, Studies in Comparative Religion 5 (3) (Summer, 1971).

Coomaraswamy, Ananda (1972) “A figure of speech, or a figure of thought? Part 1”, Studies in Comparative Religion 6 (2) (Spring, 1972).

Coomaraswamy, Ananda (1972) “A figure of speech, or a figure of thought? Part 2”, Studies in Comparative Religion 6 (2) (Spring, 1972).

Coomaraswamy, Ananda (1973) “Symplegades”, Studies in Comparative Religion 7 (1) (Winter, 1973).

Coomaraswamy, Ananda (1973) “What is common to Indian and Chinese art?”, Studies in Comparative Religion 7 (2) (Spring, 1973).

Coomaraswamy, Ananda (1973) “The flood in Hindu tradition”, Studies in Comparative Religion 7 (4) (Autumn, 1973).

Coomaraswamy, Ananda (1974) “The influence of Greek on Indian art”, Studies in Comparative Religion 8 (1) (Winter, 1974).

Coomaraswamy, Ananda (1975) “The aims of Indian art”, Studies in Comparative Religion 9 (1) (Winter, 1975).

Coomaraswamy, Ananda (1977) “The bugbear of democracy, freedom, and equality”, Studies in Comparative Religion 11 (3) (Summer, 1977).

Coomaraswamy, Ananda (1977) Selected papers I: Traditional art and symbolism, edited by Roger Lipsey, Princeton University Press, Princeton.

Coomaraswamy, Ananda (1977) Selected papers II: Metaphysics, edited by Roger Lipsey, Princeton University Press, Princeton.

Coomaraswamy, Ananda (1977) On the traditional doctrine of art, Golgonooza Press, Ipswich. Coomaraswamy, Ananda (1979) The bugbear of literacy, Perennial Books, London.

Coomaraswamy, Ananda (1979) “Fate, foresight, and free-will”, Studies in Comparative Religion 13 (3-4) (Summer-Autumn, 1979).

Coomaraswamy, Ananda (1980) “The interpretation of symbols”, Studies in Comparative Religion 14 (1-2) (Winter-Spring, 1980).

Coomaraswamy, Ananda (1980) “Symbols”, Studies in Comparative Religion 14 (1-2) (WinterSpring, 1980).

Coomaraswamy, Ananda (1981) Sources of wisdom, Ministry of Cultural Affairs, Colombo.

Coomaraswamy, Ananda (1983) “The nature of Medieval art”, Studies in Comparative Religion 15 (1-2) (Winter-Spring, 1980).

Coomaraswamy, Ananda (1983) “The religious basis of the forms of Indian society”, Studies in Comparative Religion 15 (1-2) (Winter-Spring, 1980).

Coomaraswamy, Ananda (1983) “Indian art”, Studies in Comparative Religion 15 (3-4) (Summer-Autumn, 1980).

Coomaraswamy, Ananda (1984) “On being in one’s right mind”, Studies in Comparative Religion 16 (3-4) (Summer-Autumn, 1980).

Coomaraswamy, Ananda (1988) Selected letters of Ananda Coomaraswamy, edited by Rama P. Coomaraswamy and Alvin Moore, Jr., Oxford University Press, Oxford.

Coomaraswamy, Ananda (1989) What is civilization? And other essays, edited by Rama P. Coomaraswamy, Golgonooza Press, Ipswich.

Coomaraswamy, Ananda (1997) The door in the sky: Coomaraswamy on myth and meaning, edited by Rama Coomaraswamy, Princeton University Press, Princeton.

Coomaraswamy, Ananda (2001) Wisdom of Ananda Coomaraswamy, edited by S.D.R. Singam, Indica, Varanasi.

Coomaraswamy, Ananda (2003) The essential Ananda K. Coomaraswamy, edited by Rama P. Coomaraswamy, World Wisdom, Bloomington.

Coomaraswamy, Ananda (2005) Guardians of the Sundoor: late iconographic essays, edited by Robert Strom, Fons Vitae, Louisville.

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